A Highland Photo Trip: Part 8 Sunset at Altandhu

-

The view over the anchorage at Altandhu just before sunset
Fujifilm X-T2 + XF10-24mm f4 - 1/40 @ f10 ISO400 (zoom 10mm)
As the horizon brightened to the west we stopped photographing at our location near Inverpolly and headed in the car the 6 miles to a view point above the small fishing village of Altandhu.

 The clouds on the horizon had broken up and the sunlight was streaming through producing a spectacular display.  I had fixed the X-T2 to the Manfrotto 190 tripod while I used the X-Pro2 with either the 100-400mm, or the XF50-140mm with the 1.4x converter, to get some closer images of the sunset and the cloud formations. 

Fiery skies about the headland to the south west of Altandhu
Fujifilm X-Pro2 + XF50-140mm f2.8 + 1.4x converter - 1/320 @ f13 ISO400 (zoom 196mm)
The light was fading fast and we had to work quickly.  Being exposed on a hill on the coast also subjected us to high winds, which were also pretty cold, which meant we had to watch for camera shake in the long exposure images.

The view over the anchorage at Altandhu
Fujifilm X-Pro2 + XF100-400mm f4.5/5.6 - 1/160 @ f5.6 ISO400 (zoom 100mm)
The view to the islands to the west of the mainland
Fujifilm X-T2 + XF50-140mm f2.8 - 1/400 @ f5 ISO200 (zoom 135mm)
The view over the anchorage at Altandhu
Fujifilm X-T2 + XF50-140mm f2.8 - 1/4 @ f11 ISO400 (zoom 55mm)
The view over the anchorage at Altandhu - Long Exposure using Lee 10x ND 'Big Stopper'
Fujifilm X-T2 + XF50-140mm f2.8 - 180s @ f8 ISO400 (zoom 55mm)

As the last of the light faded away we headed back to the car and got back on the road for the long trip back to Edinburgh.  The two days had been a great adventure photographing a part of the world I hadn't been to for nearly 30 years.

 I look forward to returning to the far north west coast of Scotland in the very near future.




Other features from this trip
A Highland Photo Trip: Part 7 Clashnessie Beach to the River Polly - CLICK HERE
A Highland Photo Trip: Part 6 Kylesku to Drumbeg - CLICK HERE
A Highland Photo Trip: Part 5 Ardvreck Castle - CLICK HERE
A Highland Photo Trip: Part 4 Bealach na Ba to Applecross - CLICK HERE
A Highland Photo Trip: Part 3 Lochcarron to Loch Kishorn - CLICK HERE
A Highland Photo Trip: Part 2 Inverness - CLICK HERE
A Highland Photo Trip: Part 1 Ruthven Barracks - CLICK HERE

-------------------------------------------------------------------------------------------------------------
PLEASE SUPPORT THIS BLOG BY VISITING THE ADVERTISERS ON THIS PAGE
By clicking on the adverts you are helping support this blog - thank you.
-----------------------------------------------------------------------------------------------------------------

ALL IMAGES (UNLESS INDICATED) ARE THE PROPERTY OF MACLEAN PHOTOGRAPHIC AND CANNOT BE USED FOR ANY PURPOSE WITHOUT PRIOR PERMISSION

MacLean Photographic run Tours and Workshops in East Lothian and the Borders of Scotland.  CLICK HERE for more details and availability

Jeff Carter is an Official Fujifilm X Photographer and was named as a Fujifilm brand ambassador in June 2015. In 2016 he worked with the company on the launches of the Fujifilm X-Pro2 in Tokyo and the Fujifilm X-T2 in Paris in July 2016.  You can view his profile and gallery on the Fujifilm website HERE

If you like what you see on this blog please visit our Facebook page and click 'like'

Location: Altandhu, Ullapool IV26, UK

Comments

Post a Comment

Popular posts from this blog

REVIEW: The New Fujinon 2x Converter

-
Image
Yesterday Fujifilm launched the latest edition to the Fujinon XF lens line up, the XF 2X TC WR teleconverter for use with the XF50-140mm f2.8 and XF100-400mm f4.5/5.6 zoom lenses.  In April I was invited by Fujifilm to test the new converter and here are my thoughts on this new lens. Before I go into details I need to be upfront about something.  I've never been a fan of 2x converters because the optical quality of the lens is usually affected to a large degree.   I did have a 1.4x and 2x converter for my lenses when I was shooting with Nikon. While the 1.4x converter was regularly attached to my long f2.8 lenses, the 2x converter was probably used about three times in the 18 years I used Nikkor lenses.  I didn't like the results when using the converter so tended to not use it. Anyway back to the X-Series!  The 1.4x Fujinon converter was launched in 2015 and I have been a fan of this diminutive lens attachment on both the 50-140mm and 100-400mm.  The optical qu
Read more

REVIEW: Using Nikon Lenses on a Fuji X Camera

-
Image
I've been using the Fujifilm X-Pro1 for the past month and I haven't enjoyed my photography so much since I bought the Fuji X100 12 months earlier.  The only issue I have with the X-Pro1 is the lack of a long telephoto lens.  The longest lens I have is the 60mm f2.4, which is the equivalent of a 90mm telephoto; it's a great lens but I sometimes wish my Fuji system had a bit more pulling power.   Fuji have provided the X system with a telephoto zoom, the 55-200mm f3.5 / f4.8 R LM OIS and I will be testing this lens next week for three days. I will be showing the results on this blog. However my Nikon kit has one of the best short telephoto zooms in the world, the Nikkor 80-200mm f2.8 AF-D.  I bought this lens brand new in 1996 for £1600.00 and it has been a faithful companion ever since. I've bought and sold plenty of SLRs / DSLRs in the past 18 years but I've never felt the need to upgrade the 80-200mm because it is still optically the best lens I own and it ha
Read more

Rode Wireless Go for the Fujifilm X-T4

-
Image
One of the things I learned very quickly when using video is the need for clear audio. It doesn't matter how good the video looks, if the audio is poor, then the video is not going to be well received. Over the years I have invested in good, portable microphones even invested in a radio mic system.  This worked really well but when working in a motorsport environment, a broad range of radio frequencies are used for various uses and radio microphone frequencies are strictly controlled.  in some countries you also need to buy a licence, which can cost hundreds of pounds, so I quickly reverted back to wired microphones. This brought its own problems as when interviewing drivers the surrounding environment can be noisy, so you need to get the microphone as close as possible.  Of course, the extra added complication in the last few months means the interviewer has to stand at least 1.5 metres, which means wires trailing across the floor, which isn't good. In March
Read more